These questions, while perfectly valid, also begin to recede in importance each time I return to this work; there is no settled answer to them.
Born in France, she was raised in several countries in Africa, where her father served as a colonial official.
She imagined her film to be an oblique continuation of Godard’s, nearly four decades later. How are ratings calculated? I never saw the New Yorker disc, but given their track record, at least with their stuff from the early days of DVD, I’m sure it wasn’t good. The call took place shortly after the George Floyd protests started in Minneapolis and the two do have that on their minds as they discuss the film, at least when talking about some of the themes in the film (from protest to colonialism) and the actions of certain characters. It’s the city itself, one of the few films to truly earn that well-worn homily of New York City being like another character in the movie. Much like Naked City, Dassin strips down the whos and whats of Brute Force. Before she made her first feature film, Chocolat (1988)—relatively late, at forty-one—she worked as assistant director to (among others) Wim Wenders, who has had a famous affinity for America, its culture, and its landscape. The end results really are incredible. Unavailable in North America for a long while, The Criterion Collection presents Claire Denis’ Beau travail on Blu-ray in its original aspect ratio of 1.66:1 on a dual-layer disc.
The process Denis used to synthesize the various source materials for the film harbored another kind of creative tension. Begin typing your search above and press return to search. On top of this Denis gets into the inspiration behind the film, and its production, which called for working with the French Foreign Legion, who were hesitant about the film, though more about the homosexual undertones rather than anything else.
Things start off with a video conferenced discussion about the film between directors Barry Jenkins and Claire Denis, both from their homes (I love that Denis is just sitting on the floor in front of her computer). A scene from Beau Travail. This proabably has more to do with lighting and such, rather than anything to do with the restoration or encode (in one of the supplements director of photography Agnès Godard mentions they tried to use available light). Denis and cinematographer Agnès Godard fold military and masculine codes of honor, colonialism’s legacy, destructive jealousy, and repressed desire into shimmering, hypnotic images that ultimately explode in one of the most startling and unforgettable endings in all of modern cinema. Plus, Beau travail is so dreamlike, you’d be hard pressed to find specific things to say about each scene anyway. The Criterion Collection 2020 Blu-ray. Sergeant Galoup (an electrifying Denis Lavant), part of a Foreign Legion regiment stationed in Djibouti, serves under commanding officer Forestier (Michel Subor), for whom he has a deep admiration and fondness. The film is surprisingly colourful, particularly in the night club sequences, and those colours look just spectacular, with wonderful reds, purples, blues, and more. Release …
Denis’s cowriter, Jean-Pol Fargeau, began the writing process by penning Galoup’s journals, a memoir of sorts that drives the flashbacks and kicks off the narrative. You can also find his freelance work at IndieWire, UPROXX, Syfy Wire, The Takeout, and Crooked Marquee. An essay by critic Girish Shambu, found in the included poster insert, then closes off the release. At the heart of Beau travail lies a male triangle. We hear a house-music beat fade in, that of Corona’s Eurodance hit “The Rhythm of the Night,” and we suddenly find ourselves back at the disco, this time in a mirrored room that contains no one but Galoup. Galoup, consumed with jealousy, unfairly punishes Sentain by banishing him to the desert with a faulty compass.
Beau Travail (The Criterion Collection) by Denis Lavant.
Reading correspondence like this feels like stepping into film history and the machinations of old-school Hollywood producers, another reason why Criterion is the best at what they do. Some scenes get tinted a bit to lend to the scene (nighttime or early morning shots for example) but colours stay mostly natural; it was so nice to see a new 4K restoration that hasn't been heavily tinted a yellow or teal. StudioCanal: Melville: the Essential Collection, [Boutique Labels] / Sun Nov 08, 2020 10:15:46 AM, [The Criterion Collection] / Sun Nov 08, 2020 07:36:21 AM, [The Criterion Collection] / Sun Nov 08, 2020 07:29:07 AM, [Indicator Blu-rays] / Sun Nov 08, 2020 04:48:03 AM, 54-61, 80-83, 89-92, 183-186 Hammer Volumes 1-5, [Indicator Blu-rays] / Sun Nov 08, 2020 04:35:55 AM, [Indicator Blu-rays] / Sun Nov 08, 2020 04:34:34 AM, [General Film Discussion] / Sun Nov 08, 2020 04:34:17 AM, [DVD and Blu-ray News and Discussions] / Sat Nov 07, 2020 06:27:36 PM, [General Film Discussion] / Sat Nov 07, 2020 05:05:09 PM, The Criterion Channel -- Film and Content Discussion, [Criterion Rumors and News] / Sat Nov 07, 2020 04:52:51 PM, [Boutique Labels] / Sat Nov 07, 2020 04:34:09 PM, Warner Brothers Archive Collection Blu-rays, [DVD and Blu-ray News and Discussions] / Sat Nov 07, 2020 02:12:34 PM, [General Film Discussion] / Sat Nov 07, 2020 09:51:23 AM, This site is not affiliated with The Criterion Collection. During a pivotal time for Black cinema, John Berry’s beautifully lived-in drama offered a portrait of an African American family that stood in opposition to a long history of harmful stereotypes. Cinema reveals itself to be a medium that conjures both with equal potency: a total medium of the senses.
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New 4K digital restoration, supervised by director of photography Agnès Godard and approved by director Claire Denis, with uncompressed stereo soundtrack on the Blu-ray, New conversation between Denis and filmmaker Barry Jenkins, New selected scene commentary with Godard, New interviews with actors Denis Lavant and Grégoire Colin, New video essay by film scholar Judith Mayne. Alain Silver and James Ursini, film noir specialists, offer up an informative commentary, and a 2007 interview with author Paul Mason highlights the role this film plays in modern conceptions of prison culture and our sympathy with prisoners in the media. Much like Mendes’ Jarhead, Lavant’s sergeant and the others strain against the suffocating idleness of their post. But whatever it is range is incredible and dynamic, fidelity is superb, and the audio does spread nicely in the environment, the opera music having a deep ethereal effect at times. Beau Travail is a compelling exploration of humanity under uniquely dehumanizing conditions. Beau Travail (The Criterion Collection) Denis Lavant (Actor), Claire Denis (Director) Rated: NR. Interviews with the two leads also provide further context to the meandering nature of the shoot and the openness of Denis’ direction, and Godard engages in a selected scene commentary about the look of the film — a letdown from the prospect of a full-length commentary, but a decent half-measure regardless.
Quickly, Beau travail acquired a passionate following in film culture, was voted best film of the year in the Village Voice critics’ poll in 2000, when it had its U.S. theatrical run—only the first of many surveys on which it has featured prominently—and inspired an outpouring of writing in internet cinephile spaces, film magazines, and academic journals alike.
the outside, Denis treats masculinity in an unusual and thoughtfully
6/13. Format: Blu-ray. Denis and her longtime cinematographer, Agnès Godard, are masters of vivid and tactile image-making, capturing equally the elemental force of the sun-saturated East African landscape and the faces and bodies of the legionnaires in all their variety of race and ethnicity.
The spellbinding way in which her images unfold from one moment to another, leap from one shot to the next, is an inimitable aspect of her unique aesthetic.
It is also a small but significant gesture of divergence from the French New Wave, whose legacy has been formative for countless filmmakers the world over, including Denis—but which was emphatically heteronormative. Fitting for a 2020 Criterion release, Beau travail‘s features come with a bevy of Criterion Channel-friendly supplements, including a conversation between Denis and Moonlight filmmaker Barry Jenkins, as well as a stunning video essay by Judith Mayne. 3. The Rosetta Stone for the gritty New York crime drama, Dassin’s 1948 work is remarkable for its use of real New York locations and use of Italian neorealist techniques to make you feel like you’re watching a documentary about a true crime about the murder of a young woman, and the dogged policemen determined to find out whodunit. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you’ve provided to them or that they’ve collected from your use of their services. From The Current. Criterion and Netflix and Amazon [Criterion Rumors and News] / Tue Sep 29, 2020 10:27:45 PM. All positive reviews › David Crumm.
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